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Free Sex Toons Galleries: Nel corso della loro carriera, molte delle nostre Funny Ladies hanno mostrato un talento alquanto sfaccettato e Constance Talmadge non fa eccezione. In effetti nel Constance, che da tempo si era affermata come star di prima grandezza, era maturata senza perdere in freschezza e vivacità ed aveva dimostrato la sua propensione per una comicità sottile e sofisticata.

Alvarado, a quel tempo appena arrivato sullo schermo, vide impennarsi la sua carriera grazie al prestigio che comportava lavorare in una produzione Constance Talmadge. Non mancano nel film altre "funny ladies. Nellie Bly Baker, che aveva tradotto la sua collaborazione con Chaplin in una modesta carriera nel cinema veste i panni della cameriera di Constance.

Ma soprattutto, dopo anni di lontananza, ritorna sugli schermi, in una piccola parte, Marie Dressler. Attenzione specialmente alla sua reazione ad una dolorosa esperienza a cavallo! Many of our Funny Ladies demonstrated more than one facet of their talents in the course of their careers, and Constance Talmadge is no exception. Breakfast at Sunrise , released near the end of her film career, is a frothy romantic comedy consistent with her other starring vehicles of the same period.

But by Constance, long since established as a major star, had matured without losing any of her freshness and vivacity, and had demonstrated her ability with subtle, sophisticated visual comedy. This film, like several of her others at this time, is based on a Continental play.

Alvarado, a screen newcomer at this time, received a career boost from the prestige of appearing in a Constance Talmadge production. Alice White, near the beginning of her skyrocket film career, can be seen in a role similar to those she continued to play into the early sound era.

Best of all, Marie Dressler, effecting a comeback after years away from the screen, has a small role too. Dressler makes only a couple of appearances in the course of the film, but, veteran trouper that she is, she makes the most of them. Watch especially for her reaction to a painful experience in horseback riding! Norma la sorella affascinante, Constance quella comica. Ma sono generalizzazioni fuorvianti. Altrove, in questa rassegna, vediamo Norma cavarsela egregiamente con una comicità più fisica, mentre in Breakfast at Sunrise e in molti altri film, Constance mostra di essere portata per la commedia sofisticata e romantica.

Breakfast at Sunrise si pone a metà strada; i suoi altri successi del periodo, molti dei quali diretti da Sidney Franklin, comprendono Her Sister from Paris La scuola delle mogli e The Duchess of Buffalo Principessa Tutù. Norma was the glamorous sister, Constance was the comedienne. But such generalizations are misleading. Norma demonstrates elsewhere in this series that she was fully capable of physical comedy, while Constance, in Breakfast at Sunrise and so many other films, displays comedic gifts that run to sophisticated romantic stories.

Perhaps Constance was typed early in her career, when she began to appear in Vitagraph films while still in her teens, her tomboy tendencies still well in evidence. By the mid- to lates Constance was well established as a star of light romantic fare, running the gamut from out-and-out sight gags to sophisticated adult satire. Breakfast at Sunrise falls somewhere in the middle of the scale; her other successes from this period, many of them directed by Sidney Franklin, include Her Sister From Paris and The Duchess of Buffalo.

With the coming of sound, Constance decided she had had enough. With characteristic self-assurance, she left the film business and never looked back. La sua ultima apparizione sullo schermo fu in Love and the Devil La donna e il diavolo; , di Alexander Korda, nel ruolo della cameriera di Maria Corda. Alice White Ebbe una brillante ma breve carriera negli ultimi anni del muto e agli inizi del cinema sonoro. Fu scoperta mentre lavorava come segretaria di edizione per Josef von Sternberg, ed ebbe il suo primo ruolo in The Sea Tiger La tigre del mare; di John Francis Dillon.

McEvoy, in due film , Show Girl Lasciatemi ballare! La sua ultima apparizione sullo schermo fu in Flamingo Road Viale Flamingo; , poi riprese, modestamente e filosoficamente, a lavorare come segretaria. Her pertness and vivacity gave her an albeit temporary reputation alongside the great lates flappers, Clara Bow, Colleen Moore, and Louise Brooks.

By the mids her career as a star was over: Her last screen appearance was in Flamingo Road After this she modestly and philosophically returned to secretarial work. Ray Rennahan, Fred Dawson; costumes: Daphne Pollard e Johnny Burke con quella sua mirabile faccia impassibile prestarono la loro sapida comicità a una serie di two reelers di ambientazione studentesca e realizzati da Sennett durante il biennio Daphne Pollard and the admirable poker-faced Johnny Burke provided the broader comedy for a series of two-reel college romps made by Sennett in Generally the sweet, shy brunette Sally Eilers needed help to wrest her beau Matty Kemp from the clutches of blonde and extrovert Carole Lombard.

Daphne Pollard characteristically played the stern headmistress or in Run Girl Run the demanding gym mistress whose strict supervision made the path of true love even more thorny. Here, though, Daphne has a more sympathetic role as the college maid-of-all-work, herself browbeaten by the dragon headmistress, battling with recalcitrant beds, and forever striving to instil a little passion into her inexpert beau Johnny Burke.

In silent films she made her debut in and appeared regularly from she was regarded as a standard, if unusually pretty and lively ingenue; and it is in this character that she is seen in the dozen or so films she made at the Sennett studios in By she was a fixture at the Mack Sennett Studios.

She was diminutive of stature, but her belligerent posture, truculent nose, and challengingly protuberant posterior regularly hitting the ground at a run made her natural casting for virago headmistresses, school matrons, and other familiar female tyrants. Her career easily survived the coming of sound.

È purtroppo impossibile identificare la funny lady di questo film totalmente anonimo, ma assai vivace, che racconta le spiacevoli conseguenze di un annuncio per un cane. It is not possible, sadly, to identify the funny lady in this wholly anonymous but very lively film, which tells of the unfortunate consequences of advertising for a dog. Otto Heller; art director: Lo scultore Johnny Miller, rientrando a casa con degli amici ubriachi, scommette di saper trovare la strada a occhi bendati.

Invece finisce in un cimitero dove si è riunita una banda di malviventi capeggiati da Ransdorf. Johnny, che ha ancora calata sul viso la sciarpa con cui si era coperto gli occhi, viene scambiato per un membro della banda e incaricato di rapinare la villa di Frank Sellins, tutore della ricca orfana Lilly Ward. Ma Johnny si innamora di Lilly e congegna con lei un piano per impossessarsi effettivamente dei soldi. Oltre ai veri ladri, vengono coinvolti nella vicenda anche veri poliziotti.

La copia è lacunosa in alcune parti. Sculptor Johnny Miller returns home with his drunken friends after a party and makes a bet that he can find his way home blindfolded. However, instead of his house, he finds himself in a cemetery where a band of villains led by the burglar Ransdorf are holding a meeting.

Because Johnny is still wearing the scarf over his face which had been covering his eyes, the robbers take him for one of them and they want him to rob the villa of Frank Sellins, guardian of the wealthy orphan Lilly Ward. Johnny, however, falls in love with Lilly, and devises a plan with her whereby he actually steals the money.

The real burglars and real policemen become involved in the plot. Lilly is abducted but Johnny saves her at the last moment and takes her into his arms.

Anny Ondra is outstandingly beautiful and attractive, and the film is fast and rhythmic, interweaving farcical situations in true Hollywood style, so skilfully that with the American names given to the characters it could easily be mistaken for an American production.

The print is incomplete in some parts. I suoi film sonori sono per la gran parte di produzione tedesca. La sua ultima apparizione è in Schön muss man sein As a schoolgirl she already showed a talent for the theatre, and was trained as a dancer at the Svanda Theatre.

She was given her first film role by J. With the coming of sound films Lamac continued to direct her, even after their divorce in , when she married the former prize-fighter, Max Schmeling.

Hitchcock took her to Britain to star in Blackmail , though her voice was dubbed; but most of her sound films were made in Germany. Her last appearance was in Schön muss man sein Anny Ondra had a delicate and versatile talent, and could play sentimental roles as readily as light comedy. Nel suo articolo su Alice Howell apparso in Slapstick! In occasione di una festa mondana, Alice ed il maggiordomo Dick Smith vengono fatti passare per il conte e la contessa De Bunco, che sono in effetti degli imbroglioni.

Steve Massa, in his article on Alice Howell in Slapstick! Really the whole show, Alice is hilarious as she primps and flirts with the customers in the diner, at one point even putting up a musical chart and conducting their loud soup slurping.

Quando la Reelcraft chiuse i battenti, gli Smith passarono alla Universal, dove crearono, ma con minor sucesso, dei nuovi personaggi: In she met and married Richard Dick Smith, with whom she formed a vaudeville eccentric dance act, Howell and Howell.

In this period she consolidated her distinctive screen character, with high-standing frizzed hair and stiff penguin walk. Howell and Smith then moved to the Chicago production firm the Emerald Motion Picture Company, which was absorbed as part of Reelcraft. Cinderella Cinders was made in Chicago during this period.

When Reelcraft closed the Smiths moved to Universal, where they developed new and rather less successful personae as a domesticated middle-class couple. Alice retired definitively in ; her last film appears to have been Madame Dynamite. Richard Smith died in , at the age of Tra il e il , anno in cui la casa venne liquidata, la Lux produsse almeno ventisei film della serie "Cunégonde", tra cui il titolo che vi proponiamo e che ha una struttura narrativa più sviluppata del solito.

Camminando per strada fa la conoscenza di un signore elegante che la porta a casa propria per offrirle un tè. Il giorno dopo Cunégonde, in abiti da lavoro, incontra il "signore", ora anche lui nel rango di servo. Cunégonde lo aggredisce ed entrambi finiscono alla stazione di polizia, dove lei decide che dopo tutto lui le piace, anche come domestico. Between and , when the firm went into liquidation, Lux produced at least 26 films in the Cunégonde series. This one is exceptional in having a more developed narrative than usual, a story that had its origins in vaudeville and operetta and which would provide the plots for scores of film comedies over the following decades.

Walking down the street, she makes the acquaintance of an elegant gentleman who takes her home to tea. When Cunégonde assaults him they are taken off to the police station, where Cunégonde decides she likes him after all, even as a servant. In genere era più scatenata di quanto non sia in questo film. Il suo ruolo era sempre quello della serva benintenzionata ma stupida, i cui sforzi hanno spesso per risultato la distruzione totale della bella casa borghese dei padroni.

Generally she was much more knockabout in style than in this film. I signori Doodad vengono a sapere di una gara di boccacce e decidono di iscriversi. Daisy Doodad, costretta a rinunciare per colpa di un mal di denti, è furiosa quando il marito torna a casa con il premio.

Continua poi i suoi esperimenti per strada ed alla fine viene arrestata per disturbo della quiete pubblica. Il marito le paga la cauzione, ma lei lo accusa di averla fatta arrestare per gelosia. Daisy va a letto arrabbiata ed ha un incubo in cui viene accerchiata da una serie delle sue grottesche smorfie.

Il film si chiude con Daisy in primo piano che fa le boccacce alla macchina da presa. Daisy finisce infatti con lo spaventarsi da sé grazie a uno stupefacente montage di tante Florence Turner. Il film termina con un gigantesco primo piano di lei che ci fa venire una bella paura. Doodad read of a face-making competition and decide to enter. Daisy Doodad is furious when her husband returns home having won the prize, while she was forced to stay at home with a toothache.

When another competition is announced, she decides to try her luck, and rehearses in a railway carriage, to the consternation of the other occupants. She continues her experiments in the street, and is finally arrested for disturbing the peace. The husband bails her out, but she accuses him of having her arrested in a fit of jealousy.

She departs in a huff for bed, and has a nightmare in which a series of her own grotesque grimaces close in upon her. The film concludes with Daisy making various faces direct to the camera in close-up.

The film ends with a huge close-up of Florence frightening the life out of us. The child of actors, she was on the stage from the age of 3, and was proud to have played alongside Sir Henry Irving in Richelieu on his last American tour. In she joined Vitagraph, doing duty as wardrobe assistant as well as actress. No doubt she was exaggerating when she told the press that she had played a thousand roles by the time she left Vitagraph in , but the number and range of her roles was still phenomenal.

Accompanied by the director Larry Trimble, she arrived in England in to embark on a vaudeville tour, and soon afterwards established Turner Films Ltd.

The films that the company produced and released through Hepworth were among the best British productions of the period. When economic crisis struck the British film industry in , Florence Turner and Larry Trimble returned to America; but she was never able to re-establish her career or her popularity there. Nel e nel periodo , fece parte della troupe che lavorava nelle commedie realizzate da Lau Lauritzen Sr. She was a member of Lau Lauritzen Sr.

Nonostante la sua fenomenale produzione tra il ed il diresse per la Nordisk più di pellicole , Lau Lauritzen mantenne sempre nelle sue comiche ritmo e performance di alto livello. Quando alla fine se lo ricorda, la moglie gli manda, in segno di perdono, un mazzo di fiori con un biglietto affettuoso.

Nel frattempo la signora Storch manda un messaggio al marito, proponendogli un appuntamento per quel pomeriggio. Naturalmente il messaggio e i fiori vengono confusi, con conseguenti crisi coniugali. Despite his phenomenal output between and he directed more than films for Nordisk Lau Lauritzen sustained a very high level of pace and performance in his comedies.

In this brisk and charming little farce about marital mix-ups, Messrs. Storch and Sondergard are business partners the Expressionist-style first view of them at their desks is memorable. Storch has a birthday, which everyone duly honours; but Mr.

Sondergard has forgotten his wedding anniversary, to the chagrin of his wife. When Sondergard eventually remembers, however, his forgiving wife sends him a bouquet with an affectionate message.

Storch sends a message to her husband, proposing a rendezvous for that afternoon. Naturally, the message and the bouquet get mixed up, provoking marital crises all round. The actors in this film, Lauritz Olsen and Rasmus Christiansen, were certainly stage players, who made occasional films during the s and 30s.

Agnes Andersen was an actress at Nordisk Fims Kompagni, where she frequently worked with Lau Lauritzen, from to , and at Biorama in Agnes Seeman -?

Agnes Seeman trained at the Danish Royal Ballet school, and made her stage debut in From she worked frequently both for Nordisk Films Kompagni and Kinografen. Richard Wallace, Stan Laurel; prod.: James Finlayson ha il ruolo di un borioso avvocato che finisce per bruciarsi sempre il fondo dei pantaloni sul caminetto di casa.

Quando il fidanzato della figlia gli chiede di aiutarlo a liberarsi di una donna inferocita che gli ha fatto causa per non aver mantenuto fede alla promessa di matrimonio, Finlayson si trova alle prese proprio con questa signora e deve subire le conseguenze per essere rimasto fuori con lei tutta la notte. Il regista Richard E. Wallace aveva abbandonato la professione medica per diventare montatore e tuttofare presso i Mack Sennett Studios. James Finlayson plays a bumbling lawyer who is always getting the seat of his pants burned at the domestic fireside.

The director Richard E. Wallace abandoned a medical career to become a cutter and jack-of-all-trades at the Mack Sennett Studios. Nei lungometraggi diede forte risalto a ruoli secondari, recitando al contempo da protagonista in relativamente pochi cortometraggi comici.

Born in Lakewood, Ohio, she was on the stage at 13, and in joined Universal, for whom most of her silent films were made. In features she generally gave strong presence to secondary roles, while starring in comparatively few comedy shorts. La bellla ed elegante Martha Sleeper appare qui solo in un ruolo di contorno. Aveva esordito professionalmente come ballerina, ma già nel le sue interpretazioni cinematografiche avevano lasciato il segno tanto che fu nominata "Wampas Baby" insieme ad Helene Costello, Barbara Kent e Gwen Lee.

Uno dei suoi più memorabili ruoli comici, al fianco di Max Davidson, è quello di Pass the Gravy Alcune fonti propongono date di nascita alternative, quali il od il The years that she worked in comedy shorts, between and , were an interval in a varied and modestly successful career.

The same year she moved to the Roach Studios to appear in several Our Gang films and as a regular and notably brave partner to Charley Chase.

One of her most memorable comedy roles is alongside Max Davidson in Pass the Gravy She continued to play regularly in features until , but from this time and throughout the s she principally worked on Broadway. She returned to Hollywood for a comeback in a character role in The Bells of St. Various sources give alternative dates of birth as or Axel Graatkjaer, Karl Freund; cast: La trama romanzesca di Engelein offre ad Asta Nielsen la possibilità di esibirsi sia nella farsa sia nella commedia sofisticata, con persino qualche piccante accenno alla pedofilia.

Di conseguenza, quando lo zio sbarca in Europa, la nostra precoce sedicenne deve fingersi dodicenne e pertanto indossare abiti da bambina e giocare con gli orsacchiotto di pezza. Il film ebbe un tale successo da dar vita ad un seguito, Engeleins Hochzeit The novel plot of Engelein gives Asta Nielsen scope for both farce and sophisticated comedy, with some piquant undertones of paedophilia.

Hence, when uncle arrives in Europe, the precocious year-old must pretend to be only 12, still wearing little-girl dresses and hugging teddy bears. Asta is constantly making quicksilver shifts between the two ages, and sometimes gets deliriously mixed up, as she hides her cigarette or, in the street, rather forgets her new dolly as her eye catches that of a promising young man.

Things become even more complicated when the Little Angel falls in love with uncle. The film was such a success that it was followed by a sequel, Engeleins Hochzeit ; US title: Asta Nielsen La più spassosa di tutte le Funny Ladies, Asta Nielsen sembra talmente a suo agio nelle commedie che è quasi impossibile credere che questa sia la diva che conosciamo per le interpretazioni di Strindberg, Ibsen, Wedekind, Dostojevskij, Schnitzler e Shakespeare, e che diede al cinema una nuova, potente carica di erotismo.

Essa è la dimostrazione inoppugnabile che la grande commedia richiede grandi doti recitative, ed è indubbiamente una grande artista, proprio come vuole la leggenda. Fu la prima attrice a comprendere appieno il mezzo cinematografico e a metterlo al servizio della sua arte, anche se la sua formazione era di tipo teatrale. Prima del loro divorzio nel , Gad la diresse in tutti i suoi film, più di trenta, ad eccezione di Ballet danserinen La ballerina , firmato da Blom.

Condusse uno stile di vita coraggiosamente indipendente: She conclusively demonstrates that great comedy is great acting; and she is undoubtedly a great artist: She was the first actress wholly to understand and engage with the cinema medium, even though her formation was in the theatre. She was already 27 and a popular and highly-paid stage star when August Blom recruited her to the cinema.

Her first film, Afgrunden The Abyss ; , was a triumph, and established her partnership with the director Urban Gad, whom she married in From the couple worked in Germany, where Nielsen remained for the rest of her prolific screen career. She continued to act on stage in Germany until , when, despite the blandishments of Josef Goebbels, she returned to Copenhagen, where she worked in the theatre until the end of the s.

Fearlessly independent in her lifestyle, her illegitimate daughter was believed to have been fathered by her professor at the Royal Theatre School. The third of her five husbands was the émigré Russian actor Grigori Chmara; the last, whom she married at the age of 87, was a Copenhagen art dealer 18 years her junior. Sam Taylor, Tim Whelan; story: Cedric Gibbons, Frederic Hope; gowns: Il brillante soggetto originale è il frutto della collaudata collaborazione tra il commediografo e umorista Marc Connelly e George S.

La sceneggiatura finale venne scritta da Sam Taylor e Tim Whelan, che avevano già lavorato sodo e con molta inventiva per Harold Lloyd. La mancanza del sonoro non è assolutamente un handicap: Gli abiti e gli accessori scivolano continuamente dalla sua figura allampanata i boa di piume, in particolare ; la scena clou della seduzione la vede impegnata in una furiosa battaglia contro il palo della tenda e prigioniera dentro un vaso di terracotta.

Il film, tuttavia, non brilla solo della radiosa follia della sua star. Il melodramma Flaming Women , messo in scena dalla troupe teatrale non scade mai nella caricatura grossolana.

I camerini degli attori e la carrozza del treno sono un fantastico assortimento di bric-à-brac teatrale e domestico, con le pareti e le porte tappezzate di foto e scritte tracciate col gesso del tipo "Non sprecare il sapone". Scene come quella della lezione di recitazione della Lillie con Jack Pickford, girata in mezzo ai polli, alle capre che ruminano e ai maiali che si agitano, rappresentano una esemplare lezione di cinema per quanto riguarda il tempismo delle gag e la giusta angolazione della macchina da presa.

Eppure, anch'esso contribuisce a rendere speciale questo film. After seeing the splendidly funny Exit Smiling , we can only express regret and amazement that the stage comedienne also played Nothing or next to Nothing in films as well.

Exit Smiling was her film debut, and MGM took care to entrust it to comedy experts. Playwright and humorist Marc Connelly, then in the middle of his successful partnership with George S. Kaufman, provided the ingenious original story. Sam Taylor and Tim Whelan, who had worked hard and imaginatively for Harold Lloyd, took care of the final script. Absence of sound proves no handicap at all: Lillie communicates effortlessly through her droll and voluble gestures, looks, and mouthed sentences.

Like all great clowns of silent cinema she is constantly flummoxed by everyday objects. Clothes and accessories repeatedly fall off her lanky frame feather boas especially ; her climactic seduction scene involves a furious battle with a collapsing curtain-rail, and incarceration in an earthenware pot.

Yet this film has more to offer than one luminously crazy star performer. Its theatrical world is precisely evoked; you can almost smell the greasepaint and powder. Yet study of his work in the s reveals a filmmaker of considerable subtlety, able to combine sprightly comedy with a fluid visual style. Il film di Clive Brook del , On Approval , le diede un ruolo di una certa rilevanza.

Anche le sue successive apparizioni sullo schermo, da Doctor Rhythm , costruito in funzione di Bing Crosby, a Thoroughly Modern Millie Millie del , ci lasciano intravedere il suo straordinario talento.

She appeared in films, on television, on the radio, but she was funniest of all on stage, bouncing her sense of the ridiculous off a live audience.

By the mids America had discovered her too. She returned to the stage, deflating pomposity with zany slapstick or a simple arched eyebrow. Madeleine Guitty, Madeleine Aubry; 35mm, m.

Due donne che aderiscono alla causa delle suffragette sono elette deputate ma alla fine si convincono che è il posto di una donna è a casa.

Curiosamente, più invecchiava e più erano le parti che le venivano offerte: Unusually, Madeleine Guitty seemed to grow more in demand as she grew older: Emilie Sannon ; 35mm, m. Questa compilation promozionale celebra una donna audace piuttosto che una "funny lady": Sono soprattutto estratti dai film della Filmfabrikken Danmark che ci mostrano la Sannon mentre esegue numeri acrobatici su mulini a vento, campanili, ecc.

The clips are mostly from productions by Filmfabrikken Danmark, and show Emilie Sannon performing stunts on windmills, church towers, and elsewhere. Emilie Sannon Giunse in Florida da bambina, quando i suoi genitori vi si trasferirono per lavorare nella fattoria dello zio paterno Johan Sannon. Apparve anche nel primo film sceneggiato da Carl Th. Dreyer, Bryggerens datter La figlia del birraio , Eight years later the family returned to Denmark, where Emilie made her stage debut shortly afterwards at the Dagmarteatret, where Asta Nielsen also worked.

She also appeared in the first film written by Carl Th. She also made two films in Germany in She died in , in an accident when her parachute failed to open.

Though Emilie Sannon never married, living at home with her parents except when on tour, she had one daughter, born , by the actor Axel Carl Schulz.

Roy Del Ruth; sc.: Darryl Francis Zanuck; story: Beatrice Burton "Footloose" ; titles: David Abel, Charles Van Enger; ed.: Lewis Geib, Esdras Hartley; art titles: William McGann; electrical effects: Due scuole divergenti della commedia americana si incontrano in Footloose Widows. La star indiscussa del film è Louise Fazenda, attrice della Keystone specializzata in ruoli da ragazza di campagna goffa e sgraziata.

film amateur porno escort girl vernon Few actors are given creative control over their films, and child players in particular are at the mercy of whatever material their producers consider suitable. When Cunégonde assaults him they are taken off to the police station, where Cunégonde decides she likes him after all, even as a servant. Alyson Hannigans Sex Tape Free. Lisa Naked Free Movie Clip? Ever heard of mautre sluts? By she was a fixture at the Mack Sennett Studios.

Film amateur porno escort girl vernon -

Umblood Discharge From Vagina. Il marito le paga la cauzione, ma lei lo accusa di averla fatta arrestare per gelosia. Nel suo articolo su Alice Howell apparso in Slapstick! Ever heard of artistic pictures pre teens nude?

In she was playing supporting roles in Republic westerns, one of whose stars, William Boyd, she married and divorced. Ci sono alcuni divertenti trucchi e lo spiritoso ricorso al montaggio incrociato di scene in cui non succede assolutamente nulla. La star della Hepworth, Chrissie White , si cala perfettamente nello spirito di questa macabra e precoce parodia del thriller. In this truly bizarre early parody of the melodrama we can see the antecedents of the absurdist tradition in British comedy.

The plot concerns a baby, the beneficiary of a will, who is kidnapped by comedy villains, chucked through a window thus neatly extinguishing the candle on the gunpowder keg to which its father is tied , then dropped back out of the window, trampled on by Father jumping out the window!

There are some humorous trick effects, and that ever-popular visual joke, rapid cross-cutting between scenes in which absolutely nothing is happening. He returned to activity as actor throughout the s. Hepworth star Chrissie White enters gamely into the spirit of this macabre early parody thriller. Chrissie White Apparve per la prima volta sul palcoscenico da bambina, in Bluebell in Fairyland e a 14 anni fu scritturata da Cecil M. The following year she was teamed with Alma Taylor, one year her junior, as The Tilly Girls, a team who featured in a series of sentimental comedies in and for more information, see Tilly the Tomboy Visits the Poor.

She was generally partnered by Stewart Rome or Henry Edwards, who also directed most of their films together and whom she married. She was absent from the screen from until , when she returned to make two talking pictures The Call of the Sea , , and General John Regan , , both directed by Edwards, after which she definitively retired from the screen.

Nel corso della loro carriera, molte delle nostre Funny Ladies hanno mostrato un talento alquanto sfaccettato e Constance Talmadge non fa eccezione. In effetti nel Constance, che da tempo si era affermata come star di prima grandezza, era maturata senza perdere in freschezza e vivacità ed aveva dimostrato la sua propensione per una comicità sottile e sofisticata.

Alvarado, a quel tempo appena arrivato sullo schermo, vide impennarsi la sua carriera grazie al prestigio che comportava lavorare in una produzione Constance Talmadge. Non mancano nel film altre "funny ladies. Nellie Bly Baker, che aveva tradotto la sua collaborazione con Chaplin in una modesta carriera nel cinema veste i panni della cameriera di Constance.

Ma soprattutto, dopo anni di lontananza, ritorna sugli schermi, in una piccola parte, Marie Dressler. Attenzione specialmente alla sua reazione ad una dolorosa esperienza a cavallo!

Many of our Funny Ladies demonstrated more than one facet of their talents in the course of their careers, and Constance Talmadge is no exception. Breakfast at Sunrise , released near the end of her film career, is a frothy romantic comedy consistent with her other starring vehicles of the same period. But by Constance, long since established as a major star, had matured without losing any of her freshness and vivacity, and had demonstrated her ability with subtle, sophisticated visual comedy.

This film, like several of her others at this time, is based on a Continental play. Alvarado, a screen newcomer at this time, received a career boost from the prestige of appearing in a Constance Talmadge production. Alice White, near the beginning of her skyrocket film career, can be seen in a role similar to those she continued to play into the early sound era.

Best of all, Marie Dressler, effecting a comeback after years away from the screen, has a small role too. Dressler makes only a couple of appearances in the course of the film, but, veteran trouper that she is, she makes the most of them. Watch especially for her reaction to a painful experience in horseback riding! Norma la sorella affascinante, Constance quella comica. Ma sono generalizzazioni fuorvianti. Altrove, in questa rassegna, vediamo Norma cavarsela egregiamente con una comicità più fisica, mentre in Breakfast at Sunrise e in molti altri film, Constance mostra di essere portata per la commedia sofisticata e romantica.

Breakfast at Sunrise si pone a metà strada; i suoi altri successi del periodo, molti dei quali diretti da Sidney Franklin, comprendono Her Sister from Paris La scuola delle mogli e The Duchess of Buffalo Principessa Tutù.

Norma was the glamorous sister, Constance was the comedienne. But such generalizations are misleading. Norma demonstrates elsewhere in this series that she was fully capable of physical comedy, while Constance, in Breakfast at Sunrise and so many other films, displays comedic gifts that run to sophisticated romantic stories. Perhaps Constance was typed early in her career, when she began to appear in Vitagraph films while still in her teens, her tomboy tendencies still well in evidence.

By the mid- to lates Constance was well established as a star of light romantic fare, running the gamut from out-and-out sight gags to sophisticated adult satire. Breakfast at Sunrise falls somewhere in the middle of the scale; her other successes from this period, many of them directed by Sidney Franklin, include Her Sister From Paris and The Duchess of Buffalo.

With the coming of sound, Constance decided she had had enough. With characteristic self-assurance, she left the film business and never looked back. La sua ultima apparizione sullo schermo fu in Love and the Devil La donna e il diavolo; , di Alexander Korda, nel ruolo della cameriera di Maria Corda. Alice White Ebbe una brillante ma breve carriera negli ultimi anni del muto e agli inizi del cinema sonoro. Fu scoperta mentre lavorava come segretaria di edizione per Josef von Sternberg, ed ebbe il suo primo ruolo in The Sea Tiger La tigre del mare; di John Francis Dillon.

McEvoy, in due film , Show Girl Lasciatemi ballare! La sua ultima apparizione sullo schermo fu in Flamingo Road Viale Flamingo; , poi riprese, modestamente e filosoficamente, a lavorare come segretaria. Her pertness and vivacity gave her an albeit temporary reputation alongside the great lates flappers, Clara Bow, Colleen Moore, and Louise Brooks. By the mids her career as a star was over: Her last screen appearance was in Flamingo Road After this she modestly and philosophically returned to secretarial work.

Ray Rennahan, Fred Dawson; costumes: Daphne Pollard e Johnny Burke con quella sua mirabile faccia impassibile prestarono la loro sapida comicità a una serie di two reelers di ambientazione studentesca e realizzati da Sennett durante il biennio Daphne Pollard and the admirable poker-faced Johnny Burke provided the broader comedy for a series of two-reel college romps made by Sennett in Generally the sweet, shy brunette Sally Eilers needed help to wrest her beau Matty Kemp from the clutches of blonde and extrovert Carole Lombard.

Daphne Pollard characteristically played the stern headmistress or in Run Girl Run the demanding gym mistress whose strict supervision made the path of true love even more thorny. Here, though, Daphne has a more sympathetic role as the college maid-of-all-work, herself browbeaten by the dragon headmistress, battling with recalcitrant beds, and forever striving to instil a little passion into her inexpert beau Johnny Burke.

In silent films she made her debut in and appeared regularly from she was regarded as a standard, if unusually pretty and lively ingenue; and it is in this character that she is seen in the dozen or so films she made at the Sennett studios in By she was a fixture at the Mack Sennett Studios.

She was diminutive of stature, but her belligerent posture, truculent nose, and challengingly protuberant posterior regularly hitting the ground at a run made her natural casting for virago headmistresses, school matrons, and other familiar female tyrants.

Her career easily survived the coming of sound. È purtroppo impossibile identificare la funny lady di questo film totalmente anonimo, ma assai vivace, che racconta le spiacevoli conseguenze di un annuncio per un cane.

It is not possible, sadly, to identify the funny lady in this wholly anonymous but very lively film, which tells of the unfortunate consequences of advertising for a dog. Otto Heller; art director: Lo scultore Johnny Miller, rientrando a casa con degli amici ubriachi, scommette di saper trovare la strada a occhi bendati. Invece finisce in un cimitero dove si è riunita una banda di malviventi capeggiati da Ransdorf.

Johnny, che ha ancora calata sul viso la sciarpa con cui si era coperto gli occhi, viene scambiato per un membro della banda e incaricato di rapinare la villa di Frank Sellins, tutore della ricca orfana Lilly Ward.

Ma Johnny si innamora di Lilly e congegna con lei un piano per impossessarsi effettivamente dei soldi. Oltre ai veri ladri, vengono coinvolti nella vicenda anche veri poliziotti.

La copia è lacunosa in alcune parti. Sculptor Johnny Miller returns home with his drunken friends after a party and makes a bet that he can find his way home blindfolded. However, instead of his house, he finds himself in a cemetery where a band of villains led by the burglar Ransdorf are holding a meeting.

Because Johnny is still wearing the scarf over his face which had been covering his eyes, the robbers take him for one of them and they want him to rob the villa of Frank Sellins, guardian of the wealthy orphan Lilly Ward. Johnny, however, falls in love with Lilly, and devises a plan with her whereby he actually steals the money.

The real burglars and real policemen become involved in the plot. Lilly is abducted but Johnny saves her at the last moment and takes her into his arms. Anny Ondra is outstandingly beautiful and attractive, and the film is fast and rhythmic, interweaving farcical situations in true Hollywood style, so skilfully that with the American names given to the characters it could easily be mistaken for an American production.

The print is incomplete in some parts. I suoi film sonori sono per la gran parte di produzione tedesca. La sua ultima apparizione è in Schön muss man sein As a schoolgirl she already showed a talent for the theatre, and was trained as a dancer at the Svanda Theatre. She was given her first film role by J. With the coming of sound films Lamac continued to direct her, even after their divorce in , when she married the former prize-fighter, Max Schmeling.

Hitchcock took her to Britain to star in Blackmail , though her voice was dubbed; but most of her sound films were made in Germany. Her last appearance was in Schön muss man sein Anny Ondra had a delicate and versatile talent, and could play sentimental roles as readily as light comedy. Nel suo articolo su Alice Howell apparso in Slapstick! In occasione di una festa mondana, Alice ed il maggiordomo Dick Smith vengono fatti passare per il conte e la contessa De Bunco, che sono in effetti degli imbroglioni.

Steve Massa, in his article on Alice Howell in Slapstick! Really the whole show, Alice is hilarious as she primps and flirts with the customers in the diner, at one point even putting up a musical chart and conducting their loud soup slurping. Quando la Reelcraft chiuse i battenti, gli Smith passarono alla Universal, dove crearono, ma con minor sucesso, dei nuovi personaggi: In she met and married Richard Dick Smith, with whom she formed a vaudeville eccentric dance act, Howell and Howell.

In this period she consolidated her distinctive screen character, with high-standing frizzed hair and stiff penguin walk. Howell and Smith then moved to the Chicago production firm the Emerald Motion Picture Company, which was absorbed as part of Reelcraft. Cinderella Cinders was made in Chicago during this period. When Reelcraft closed the Smiths moved to Universal, where they developed new and rather less successful personae as a domesticated middle-class couple.

Alice retired definitively in ; her last film appears to have been Madame Dynamite. Richard Smith died in , at the age of Tra il e il , anno in cui la casa venne liquidata, la Lux produsse almeno ventisei film della serie "Cunégonde", tra cui il titolo che vi proponiamo e che ha una struttura narrativa più sviluppata del solito.

Camminando per strada fa la conoscenza di un signore elegante che la porta a casa propria per offrirle un tè. Il giorno dopo Cunégonde, in abiti da lavoro, incontra il "signore", ora anche lui nel rango di servo. Cunégonde lo aggredisce ed entrambi finiscono alla stazione di polizia, dove lei decide che dopo tutto lui le piace, anche come domestico. Between and , when the firm went into liquidation, Lux produced at least 26 films in the Cunégonde series.

This one is exceptional in having a more developed narrative than usual, a story that had its origins in vaudeville and operetta and which would provide the plots for scores of film comedies over the following decades. Walking down the street, she makes the acquaintance of an elegant gentleman who takes her home to tea.

When Cunégonde assaults him they are taken off to the police station, where Cunégonde decides she likes him after all, even as a servant. In genere era più scatenata di quanto non sia in questo film. Il suo ruolo era sempre quello della serva benintenzionata ma stupida, i cui sforzi hanno spesso per risultato la distruzione totale della bella casa borghese dei padroni.

Generally she was much more knockabout in style than in this film. I signori Doodad vengono a sapere di una gara di boccacce e decidono di iscriversi.

Daisy Doodad, costretta a rinunciare per colpa di un mal di denti, è furiosa quando il marito torna a casa con il premio. Continua poi i suoi esperimenti per strada ed alla fine viene arrestata per disturbo della quiete pubblica. Il marito le paga la cauzione, ma lei lo accusa di averla fatta arrestare per gelosia.

Daisy va a letto arrabbiata ed ha un incubo in cui viene accerchiata da una serie delle sue grottesche smorfie. Il film si chiude con Daisy in primo piano che fa le boccacce alla macchina da presa. Daisy finisce infatti con lo spaventarsi da sé grazie a uno stupefacente montage di tante Florence Turner. Il film termina con un gigantesco primo piano di lei che ci fa venire una bella paura. Doodad read of a face-making competition and decide to enter.

Daisy Doodad is furious when her husband returns home having won the prize, while she was forced to stay at home with a toothache. When another competition is announced, she decides to try her luck, and rehearses in a railway carriage, to the consternation of the other occupants.

She continues her experiments in the street, and is finally arrested for disturbing the peace. The husband bails her out, but she accuses him of having her arrested in a fit of jealousy. She departs in a huff for bed, and has a nightmare in which a series of her own grotesque grimaces close in upon her. The film concludes with Daisy making various faces direct to the camera in close-up.

The film ends with a huge close-up of Florence frightening the life out of us. The child of actors, she was on the stage from the age of 3, and was proud to have played alongside Sir Henry Irving in Richelieu on his last American tour.

In she joined Vitagraph, doing duty as wardrobe assistant as well as actress. No doubt she was exaggerating when she told the press that she had played a thousand roles by the time she left Vitagraph in , but the number and range of her roles was still phenomenal.

Accompanied by the director Larry Trimble, she arrived in England in to embark on a vaudeville tour, and soon afterwards established Turner Films Ltd. The films that the company produced and released through Hepworth were among the best British productions of the period.

When economic crisis struck the British film industry in , Florence Turner and Larry Trimble returned to America; but she was never able to re-establish her career or her popularity there. Nel e nel periodo , fece parte della troupe che lavorava nelle commedie realizzate da Lau Lauritzen Sr. She was a member of Lau Lauritzen Sr. Nonostante la sua fenomenale produzione tra il ed il diresse per la Nordisk più di pellicole , Lau Lauritzen mantenne sempre nelle sue comiche ritmo e performance di alto livello.

Quando alla fine se lo ricorda, la moglie gli manda, in segno di perdono, un mazzo di fiori con un biglietto affettuoso. Nel frattempo la signora Storch manda un messaggio al marito, proponendogli un appuntamento per quel pomeriggio. Naturalmente il messaggio e i fiori vengono confusi, con conseguenti crisi coniugali. Despite his phenomenal output between and he directed more than films for Nordisk Lau Lauritzen sustained a very high level of pace and performance in his comedies.

In this brisk and charming little farce about marital mix-ups, Messrs. Storch and Sondergard are business partners the Expressionist-style first view of them at their desks is memorable. Storch has a birthday, which everyone duly honours; but Mr. Sondergard has forgotten his wedding anniversary, to the chagrin of his wife. When Sondergard eventually remembers, however, his forgiving wife sends him a bouquet with an affectionate message. Storch sends a message to her husband, proposing a rendezvous for that afternoon.

Naturally, the message and the bouquet get mixed up, provoking marital crises all round. The actors in this film, Lauritz Olsen and Rasmus Christiansen, were certainly stage players, who made occasional films during the s and 30s. Agnes Andersen was an actress at Nordisk Fims Kompagni, where she frequently worked with Lau Lauritzen, from to , and at Biorama in Agnes Seeman -? Agnes Seeman trained at the Danish Royal Ballet school, and made her stage debut in From she worked frequently both for Nordisk Films Kompagni and Kinografen.

Richard Wallace, Stan Laurel; prod.: James Finlayson ha il ruolo di un borioso avvocato che finisce per bruciarsi sempre il fondo dei pantaloni sul caminetto di casa. Quando il fidanzato della figlia gli chiede di aiutarlo a liberarsi di una donna inferocita che gli ha fatto causa per non aver mantenuto fede alla promessa di matrimonio, Finlayson si trova alle prese proprio con questa signora e deve subire le conseguenze per essere rimasto fuori con lei tutta la notte.

Il regista Richard E. Wallace aveva abbandonato la professione medica per diventare montatore e tuttofare presso i Mack Sennett Studios. James Finlayson plays a bumbling lawyer who is always getting the seat of his pants burned at the domestic fireside.

The director Richard E. Wallace abandoned a medical career to become a cutter and jack-of-all-trades at the Mack Sennett Studios. Nei lungometraggi diede forte risalto a ruoli secondari, recitando al contempo da protagonista in relativamente pochi cortometraggi comici.

Born in Lakewood, Ohio, she was on the stage at 13, and in joined Universal, for whom most of her silent films were made. In features she generally gave strong presence to secondary roles, while starring in comparatively few comedy shorts. La bellla ed elegante Martha Sleeper appare qui solo in un ruolo di contorno.

Aveva esordito professionalmente come ballerina, ma già nel le sue interpretazioni cinematografiche avevano lasciato il segno tanto che fu nominata "Wampas Baby" insieme ad Helene Costello, Barbara Kent e Gwen Lee. Uno dei suoi più memorabili ruoli comici, al fianco di Max Davidson, è quello di Pass the Gravy Alcune fonti propongono date di nascita alternative, quali il od il The years that she worked in comedy shorts, between and , were an interval in a varied and modestly successful career.

The same year she moved to the Roach Studios to appear in several Our Gang films and as a regular and notably brave partner to Charley Chase. One of her most memorable comedy roles is alongside Max Davidson in Pass the Gravy She continued to play regularly in features until , but from this time and throughout the s she principally worked on Broadway. She returned to Hollywood for a comeback in a character role in The Bells of St.

Various sources give alternative dates of birth as or Axel Graatkjaer, Karl Freund; cast: La trama romanzesca di Engelein offre ad Asta Nielsen la possibilità di esibirsi sia nella farsa sia nella commedia sofisticata, con persino qualche piccante accenno alla pedofilia. Di conseguenza, quando lo zio sbarca in Europa, la nostra precoce sedicenne deve fingersi dodicenne e pertanto indossare abiti da bambina e giocare con gli orsacchiotto di pezza.

Il film ebbe un tale successo da dar vita ad un seguito, Engeleins Hochzeit The novel plot of Engelein gives Asta Nielsen scope for both farce and sophisticated comedy, with some piquant undertones of paedophilia.

Hence, when uncle arrives in Europe, the precocious year-old must pretend to be only 12, still wearing little-girl dresses and hugging teddy bears. Asta is constantly making quicksilver shifts between the two ages, and sometimes gets deliriously mixed up, as she hides her cigarette or, in the street, rather forgets her new dolly as her eye catches that of a promising young man.

Things become even more complicated when the Little Angel falls in love with uncle. The film was such a success that it was followed by a sequel, Engeleins Hochzeit ; US title: Asta Nielsen La più spassosa di tutte le Funny Ladies, Asta Nielsen sembra talmente a suo agio nelle commedie che è quasi impossibile credere che questa sia la diva che conosciamo per le interpretazioni di Strindberg, Ibsen, Wedekind, Dostojevskij, Schnitzler e Shakespeare, e che diede al cinema una nuova, potente carica di erotismo.

Essa è la dimostrazione inoppugnabile che la grande commedia richiede grandi doti recitative, ed è indubbiamente una grande artista, proprio come vuole la leggenda.

Fu la prima attrice a comprendere appieno il mezzo cinematografico e a metterlo al servizio della sua arte, anche se la sua formazione era di tipo teatrale. Prima del loro divorzio nel , Gad la diresse in tutti i suoi film, più di trenta, ad eccezione di Ballet danserinen La ballerina , firmato da Blom. Condusse uno stile di vita coraggiosamente indipendente: She conclusively demonstrates that great comedy is great acting; and she is undoubtedly a great artist: She was the first actress wholly to understand and engage with the cinema medium, even though her formation was in the theatre.

She was already 27 and a popular and highly-paid stage star when August Blom recruited her to the cinema. Her first film, Afgrunden The Abyss ; , was a triumph, and established her partnership with the director Urban Gad, whom she married in From the couple worked in Germany, where Nielsen remained for the rest of her prolific screen career. She continued to act on stage in Germany until , when, despite the blandishments of Josef Goebbels, she returned to Copenhagen, where she worked in the theatre until the end of the s.

Fearlessly independent in her lifestyle, her illegitimate daughter was believed to have been fathered by her professor at the Royal Theatre School. The third of her five husbands was the émigré Russian actor Grigori Chmara; the last, whom she married at the age of 87, was a Copenhagen art dealer 18 years her junior. Sam Taylor, Tim Whelan; story: Cedric Gibbons, Frederic Hope; gowns: Il brillante soggetto originale è il frutto della collaudata collaborazione tra il commediografo e umorista Marc Connelly e George S.

La sceneggiatura finale venne scritta da Sam Taylor e Tim Whelan, che avevano già lavorato sodo e con molta inventiva per Harold Lloyd. La mancanza del sonoro non è assolutamente un handicap: Gli abiti e gli accessori scivolano continuamente dalla sua figura allampanata i boa di piume, in particolare ; la scena clou della seduzione la vede impegnata in una furiosa battaglia contro il palo della tenda e prigioniera dentro un vaso di terracotta.

Il film, tuttavia, non brilla solo della radiosa follia della sua star. Il melodramma Flaming Women , messo in scena dalla troupe teatrale non scade mai nella caricatura grossolana.

I camerini degli attori e la carrozza del treno sono un fantastico assortimento di bric-à-brac teatrale e domestico, con le pareti e le porte tappezzate di foto e scritte tracciate col gesso del tipo "Non sprecare il sapone". Scene come quella della lezione di recitazione della Lillie con Jack Pickford, girata in mezzo ai polli, alle capre che ruminano e ai maiali che si agitano, rappresentano una esemplare lezione di cinema per quanto riguarda il tempismo delle gag e la giusta angolazione della macchina da presa.

Eppure, anch'esso contribuisce a rendere speciale questo film. After seeing the splendidly funny Exit Smiling , we can only express regret and amazement that the stage comedienne also played Nothing or next to Nothing in films as well. Exit Smiling was her film debut, and MGM took care to entrust it to comedy experts. Playwright and humorist Marc Connelly, then in the middle of his successful partnership with George S.

Kaufman, provided the ingenious original story. Sam Taylor and Tim Whelan, who had worked hard and imaginatively for Harold Lloyd, took care of the final script. Absence of sound proves no handicap at all: Lillie communicates effortlessly through her droll and voluble gestures, looks, and mouthed sentences. Like all great clowns of silent cinema she is constantly flummoxed by everyday objects. Clothes and accessories repeatedly fall off her lanky frame feather boas especially ; her climactic seduction scene involves a furious battle with a collapsing curtain-rail, and incarceration in an earthenware pot.

Yet this film has more to offer than one luminously crazy star performer. Its theatrical world is precisely evoked; you can almost smell the greasepaint and powder. Yet study of his work in the s reveals a filmmaker of considerable subtlety, able to combine sprightly comedy with a fluid visual style.

Il film di Clive Brook del , On Approval , le diede un ruolo di una certa rilevanza. Anche le sue successive apparizioni sullo schermo, da Doctor Rhythm , costruito in funzione di Bing Crosby, a Thoroughly Modern Millie Millie del , ci lasciano intravedere il suo straordinario talento.

She appeared in films, on television, on the radio, but she was funniest of all on stage, bouncing her sense of the ridiculous off a live audience. By the mids America had discovered her too. She returned to the stage, deflating pomposity with zany slapstick or a simple arched eyebrow. Madeleine Guitty, Madeleine Aubry; 35mm, m. Due donne che aderiscono alla causa delle suffragette sono elette deputate ma alla fine si convincono che è il posto di una donna è a casa.

Curiosamente, più invecchiava e più erano le parti che le venivano offerte: Unusually, Madeleine Guitty seemed to grow more in demand as she grew older: Emilie Sannon ; 35mm, m. Questa compilation promozionale celebra una donna audace piuttosto che una "funny lady": Sono soprattutto estratti dai film della Filmfabrikken Danmark che ci mostrano la Sannon mentre esegue numeri acrobatici su mulini a vento, campanili, ecc. The clips are mostly from productions by Filmfabrikken Danmark, and show Emilie Sannon performing stunts on windmills, church towers, and elsewhere.

Emilie Sannon Giunse in Florida da bambina, quando i suoi genitori vi si trasferirono per lavorare nella fattoria dello zio paterno Johan Sannon. Apparve anche nel primo film sceneggiato da Carl Th. Dreyer, Bryggerens datter La figlia del birraio , Eight years later the family returned to Denmark, where Emilie made her stage debut shortly afterwards at the Dagmarteatret, where Asta Nielsen also worked.

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